Focus: Identifying and dating photographs

Dating old photographs postcards This treaty set the maximum size for postcards produced by governments of member nations at 3. A rough paper surface can hide tell tale characteristics of printing ink. Photochromes are not real photos but rather, printed cards done by a photochrome dating old photographs postcards. About Dianne Contreras dating old photographs postcards Most Real Photo Postcards, abbreviated RPPC, have information on their backs to help in identifying the manufacturer of the photographic paper that was used by the postcard publisher. If you can identify the paper manufacturer, you can approximate the age of the old postcard. If the postcard has a stamp box, click on one of stamp box links below. If there is no stamp box, or a generic stamp box, go dating old photographs postcards Postcards Backs. All entries on one page may be slow to load. Real Photo Postcards are photographs that are reproduced by actually developing them onto photographic paper the size and weight of Postcards, with a Postcard back. Every subject known to man can be found on a postcard.

Cabinet card

Hello, thanks for visiting my web page. I have been employed in the Surveying Industry since My interest in antique survey instruments started about 20 years ago and since then I have built up a sizeable collection of selected surveying instruments, compasses and early text books. I feel passionate about the industry and wanted to preserve a bit of history, in this electronics day and age, for a generation to come.

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A stamp can be one of the most significant parts of a photograph. The stamping can help tell us much, who was the photographer, the company the photo was made for magazine, Associated Press , why and when it was made. Sometimes a stamp will tell us the age of the photo. While a stamp or tag does not in and of itself authenticate a photo stamps are rarely forged , it helps the collector in making a judgment.

While a new collector might not know a platinum print from a hole in the wall, the rubber stamp on the photo’s back is something she can get a handle on. The stamp of George Burke with his Belmont Avenue Chicago address will rightly communicate to this new collector that the photograph was made or otherwise authorized by the famous baseball photographer. In general, a photographer’s rubber or dry stamp embossed with no ink is a reliable sign that the photo was either made or otherwise authorized by the photographer.

It also shows that the photograph was official, recognized by the photographer as legitimate. Photographers often included their stamp as a copyright, essentially and sometimes literally saying “This is my photo and you can’t copy it without my permission. A stamp is often from the photographer, but can also be from an organization Sports Illustrated, Associated Press, the photographer’s agency or other owner university library, historical archives. Some photos will have the stamp of both the photographer and a company.

A stamp from a magazine, newspaper or news service tells the collector that the photo is legitimate and was made or owned by that organization. This makes identifying photos by famous photographers simple. A Joseph Hall cabinet is easy to identify, because his name will be on the mount.

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Carte de visite is the singular. Cartes de visite is the plural. Also popularly referred to as CDV and carte. Popular s s Cartes de visite, often nicknamed cartes and CDVs, is French for visiting card, as this was a popular early use of these small picture cards. A woman might hand out or mail a carte with her picture on it to friends and relatives.

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We are a member of the Online Dating Association ODA which was set up to ensure high standards of behaviour by dating service providers serving the UK. As an ODA Member we are required to have appropriate and effective arrangements in place for dealing with complaints and enquiries. The ODA provides general information on common enquiries users have about dating services but will not deal directly with individual complaints which are properly the responsibility of member companies.

The ODA monitors enquiry and complaint levels and the issues complained about. It can intervene if it sees worrying trends or serious matters of concern. Further information about ODA can be found here.

MetroPostcard Real Photo Postcard Guide

In fact, 51 per cent of people over 60 told us they are sexually active and many describe enjoying a late sexual bloom. In exclusive research, Channel 4 News carried out in-depth interviews with 76 over s all over the country and polled another to find out about love, sex and relationships in what is fast becoming a new, old age. Joey, 69, from London said: Joey is like almost half of all our respondents 46 per cent who told us that sex is important to their lives.

Genealogy- Dating old photographs has 9, members. A group for people who love old photographs, have an eye for detail, enjoy helping others and can.

Technical details[ edit ] There are two historic tintype processes: In the wet process, a collodion emulsion containing suspended silver halide crystals had to be formed on the plate just before it was exposed in the camera while still wet. Chemical treatment then reduced the crystals to microscopic particles of metallic silver in proportion to the intensity and duration of their exposure to light, resulting in a visible image.

The later and more convenient dry process was similar but used a gelatin emulsion which could be applied to the plate long before use and exposed in the camera dry. In both processes, a very underexposed negative image was produced in the emulsion. Its densest areas, corresponding to the lightest parts of the subject, appeared gray by reflected light. The areas with the least amount of silver, corresponding to the darkest areas of the subject, were essentially transparent and appeared black when seen against the dark background provided by the lacquer.

The image as a whole therefore appeared to be a dull-toned positive. To obtain as light-toned an image as possible, potassium cyanide , a very dangerous and powerful deadly poison, was normally employed as the photographic fixer. It was perhaps the most acutely hazardous of all the several highly toxic chemicals originally used in this and many other early photographic processes.

Sometimes the camera was fitted with a mirror or right-angle prism so that the end result would be right-reading. It was first called melainotype, then ferrotype by a rival manufacturer of the iron plates used, then finally tintype. Such collodion glass positives had been invented by Frederick Scott Archer in and the name Ambrotype was introduced in the United States by James Ambrose Cutting in when he patented a variation of Archer’s original process.


Jack Cuozzo click to enlarge. It was taken by the author in Bernifal Cave, one of the caverns in France that is renowned for Neanderthal art. Mammoth drawings are not unusual in such cave art, but the depiction of an apparent theropod dinosaur is remarkable.

Identifying and dating photographs is an essential tool in doing successful local and family history research. Many details including the format of the photo itself, style of mounting, photographers marks, clothing and hair styles, signage, props, details of backgrounds and street scenes, can help in .

Guide to Real Photo Postcards This guide is meant to aid the collector in identifying and dating real photo postcards, and to act as a reminder that it is impossible to do so with great accuracy. Although real photo postcards were made in a variety of ways, they hold one identifiable feature in common. The tonalities of photos are completely continuous to the eye producing true greys, for they are created by the reaction of individual photosensitive molecules to light rather than the transfer of ink from a plate.

In printed images the grey areas are usually made up of black marks that are spaced to create the optical illusion of greys. Though most of us today are familiar with the concept of photo grain, this is mostly because we have experienced very large prints made from small 35mm negatives. But even here the effect is more of a softening of detail than a observable texture.

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A photo of a guy at a bar with friends around him sends a very different message than a photo of a guy with a dog on the beach. Computerized matchmaking sprang up in the mid s, promising computer-guided mathematical equations that would help people find true love with a sprinkle of ones and zeros. Finkel , an associate professor of social psychology at Northwestern University.

The cabinet card was a style of photograph which was widely used for photographic portraiture after It consisted of a thin photograph mounted on a card typically measuring by mm .

Mirror and Webcam Shots Web cam shots never do a person justice. The same is true of shots taken in the bathroom mirror. Old Photos Online dating photos should be current. The images should show their subjects as they are today. There are no two ways around that. Your client might have great senior photos, or have looked at her peak a decade ago but there should be no nasty surprises when she meets her date. If photos are more than two years old, if your client has lost or gained lots of weight, dropped some hair or changed their teeth… they need new photos, and you should be making them.

And the same is true of girls surrounded by lots of guys. Children An online dating site is not the place to show photos of children to strangers. Security and privacy issues aside, the profile is about the single and no one else. Shirtless Photos Men under 30 with the body of a supermodel can pull off shirtless shots… but only them.

We all know that women love confidence. We also know that women hate profile photos of shirtless men.

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Old Garages and Petrol Stations, photos of rare survivors from the early days of motoring. Surviving old garages, dealerships and petrol filling stations Old old garages have long been an interest of mine, although it’s only lately that I’ve started photographing them. To locate an unmolested garage or filling station is all too difficult nowadays, due the pace of developments and the high value of the land that olde worlde garages, which may no longer be in use, can command. As such many fabulous old garages have been cleared to allow yet more out-of-town shopping centres to be thrown up.

So my plan with this page of my classic motoring website is to include images, as and when I get them, of garage buildings which have stood the test of time, whether they are still being put to their original use, or now house a completely different business. If you can add to this gallery of surviving motor trader buildings, please email them over to me preferably jpeg format with a brief description.

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A family at the seaside, c. They were still being made by while-you-wait street photographers as late as the s. The ferrotype process was a variation of the collodion positive, and used a similar process to wet plate photography. A very underexposed negative image was produced on a thin iron plate. It was blackened by painting, lacquering or enamelling, and coated with a collodion photographic emulsion.

The dark background gave the resulting image the appearance of a positive. Unlike collodion positives, ferrotypes did not need mounting in a case to produce a positive image. The ability to utilise a very under exposed image meant that a photographer could prepare, expose, develop, and varnish a ferrotype plate in just a few minutes. Why are ferrotypes also known as tintypes?

You can read more about the history and naming of the ferrotype on the George Eastman House website. Use these clues to identify a ferrotype Material These were made using a thin sheet of iron coated with black enamel and can be identified using a magnet. Image Because they are not produced from a negative, the images are reversed as in a mirror.

They are a very dark grey-black and the image quality is often poor. Ferrotype of three men, c.

50 Rare Photographs of The Great Pyramids and Great Sphinx of Giza

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